没有$;和解

The subti\_tle of Jean-Marie Str]+#-aub and =Danièle Huillet’s f=#i-rst fe a@;t/`u*#re,. from 196@5, [+`“Only Viole: nce Hel,+ps Wher[: e Viol-ence Reigns,” suggests the fierce political ,@progra=: m :ev`./oked \$b@@y t^(heir rigorous=@
. ]\aestheti[
c. The -p +\.retext of #the f@;$i\ lm, set i%n[( Col#(o
:=gne,  is H einrich Böll’=^ %s nov=el “Billiar$ds at H`#alf Pas.[t Ni# n@_!e,”--=.. which; they s_./trip down to a %;handful of s^
tark ev(ents %`%and f?:ilm with a confron;tational angularity* akin+ to Bartók’s musi[c that adorns th` [e sound`!track. The ($subtlest of cu
es \#\(a$cc,^o$(mp]a#@%ny the story(’s complex flashbacks. The middle-aged R\ \%ob?ert- ! Fähmel tells a yo#$un^)g hotel bel^\l%_:h$op*) of per%[s-= e cut;^ions =unde;;r the Thir:d* Reich; his elderly father, Heinr%%ich, an archi?/t?ect fam/^ed for a= loc://al ab
!bey, recal.\ls the m@@ ili :/+tarism ?@of the First[\ World War, when h*;is ,+wife, J@ohanna, in/curr ed trou_#ble for ins%[ulti,/ng the Kaiser(). %^A third#!-gen` +:eratio ?n@@ Fähmel is considering# architect[)ure, just as (` the exi
l?e()d bro#ther of Rob %\er!t’s late wife,.$ r#^)eturns,. only ; \to be  met by-# their \(`!former ; torturer, now a West German)=` of=@fic ia -=l taking^# p^(ar.@;t in a celebrator-`y parade of; war- ^!v![%etera ns..\ S$(-tra%_ub and H`!uillet make th  e ,\layers of histo
ry live in [the present ten:se$*?, wh$-ich they[, judg e seve!(r?ely. :The tamp!`ed-down acting and the spar*
e, te*nse/* visual rhet(oric sug`].gest a state of moral* $?@):c.;_]risis \as well a@=-$s the*( r#esp[onse—a
:@s much in -style .as i !+n
:/su-$;bs%%tance—that it demands.