上帝#之怒

When, at the be=,ginning@` of %De:!us Ira\e, F)at;%%@her Jav /ier stare#s at a cruc -ifi%*x, hi\
;s e(xpressi)^ons an/d h/is hands suggest that the ne)
rves are c[onsumin@-g ] h\im. A f _:lashbac/,k:- r-eveal]_*s=[

that this pr_)=
iest] devotes his l ife _to;) visitin@/g families that cla:;+im to ha\ve -s een t]hings=^+ that do n:)ot bel-[on\g to th) i)^s,# -+]world a;^/nd cle.+ansing their homes from the demons that try to possess-@; them.]@ )[\But, u]^+\pon returning t

(;o t:)hose house$ s, he n:^o: tic e.:]s:@ that the+ *)ev \+idenc!#]e is always des(troyed. This. way, he di;^scovers that a c
^-_*lan is afte]r `;him, a
,nd m+ust de \cide whether to hi+ !?de from t[hem \or? join them. In times when horror` ci*-nema tends to fall into the hands^:: of directors t.hat seek t=*o build narratives tha@
#t are introspective ]!and close to r/$ealit$@y, Ped!:?/ro Cristia?n`i ;*=\go%e\$;s back to old-scho=\ol ho!rro r, where*`.[ go!re an d th?e =[physic)al _*)experien!([c[e .[are ab
[%ove any ot)her` kind of-.); feeling. A cinema ,\=that ! places the: c;:amera in fr?o^+nt o$f the faces of the bloodiest!]^ de[%mons and, ins(!tead of giving logic*
- to t=.\hem,($ chooses to face them wh-?ate
*[ver the cost.