异端

Did]ier Konings\’@+` s$^_imm)-er%`ing mediaeval horror Witte Wi@even]- explore%;_ s th $[?e confl uen%;`ce of reli%*gion %and patr$*iarchy_ ^_i- n an exc [es\sively puritanic+\[
al /Dutch$ __^village.%/ =)Bla- )m)e#d by her@ community for being chi ldless , F*=rieda immerses+@ he*?/(rself in praye-!r a#?nd ritual. W`hen s;he returns unscathed `!from the- 
(f:)o .$rbidden fore`st surrounding the
( village, havin ]g ev#.aded a lec)hero$;us butcher, she ##*is co-n`%]demned a_s an ag?ent o;$$f
)_ the devil. Fried.a, howeve +@r, fin)ds n /ew ^%)faith !`in the d/(ark powers that :+ inhabit (%the woods.　　@[Shot in a reduced =:^$c(olou* r palette :(-at th` e e]dge 
of visi*,!#bility , Konings’ gripping film construc\^ts a con .@
vincing pre-modern socie`ty]!: w+hose practices it elucidat :=es with patience  *and %$atte$: ntion. [#Although set in the Middl$?e A.ges, Wit ^te Wi?(eve(`\!n[[. d-)is;\(pl.ays an=; unmistakabl%y c$ont; e/+mpor^-=ary ]%/spir\it, crafting ?.a femin\ist parabl_ e about *[+@women discove ring /.new w
!
ays of unde(rst^:anding their l* ives a)nd th:e?=_-_ world.